Listening to Music With Your Whole Body

As mentioned in the last post, an important part of this project is to explore how we talk about music. In addition, it is also important to discuss how we listen to music. The comments section of last week’s post provided some really interesting conversation. In particular, Karen wrote:

On one side of this dichotomy, I argue, is the experience of music (and life) through the mind. On the other is the experience of music (and life) through the body. And I believe that we in the West (Western ethnomusicologists included and academics in particular) generally favor experiencing life through the mind.

In response to this comment, I would like to point you towards the video posted above. It is called “Evelyn Glennie: How To Listen to Music With Your Whole Body.”

In this soaring demonstration, deaf percussionist Evelyn Glennie leads the audience through an exploration of music not as notes on a page, but as an expression of the human experience. Playing with sensitivity and nuance informed by a soul-deep understanding of and connection to music, she talks about a music that is more than sound waves perceived by the human ear. She illustrates a richer picture that begins with listening to yourself, and includes emotion and intent as well as the complex role of physical spaces -- instrument, concert hall and even the bones and body cavities of musician and listener alike.

If you have time, please watch the video and share your thoughts.